last month I decided to reach out to Viktoria to better inform my decisions for job and internship hunting. I’m currently looking into production roles, given my broad experience of sculpture, prop making, stop-mo and 2d animation. I think I’m the kind of person who loves to be involved and working with a team.

Victoria got a Production Assistant job at THE LINE – an animation studio I would absolutely love to work with (if it wasn’t already obvious from my previous research).

I’ll be looking to reach out to more individuals once it’s less stressful.

It was a pleasure speaking to the students from Royal College of Music to collaborate on our films.

Although exciting I was also stressed, knowing I was basically pitching myself and my film because it was also the Composers’ choice with whom they’d like to work. I might have gone through my presentation a bit speedier than I wanted due to this as the room was much more fuller than anticipated – I also forgot how to give presentations in person? I’ve given my presentations online before and it’s much less stressful when I don’t have to make eye contact. It’s definitely something I’d like to practice more.

For my final presentation, I would like to try and practice it in class with either fellow students or teachers.

It was really a great experience to hang out and talk with the composers a bit more casually with the composers in the Bar. It definitely encouraged me to try and go to more events in person and network with more creatives.

Also, I was very lucky to be approached by 3 different composers who would like to work with me on my film. It was a bit nerve-wracking to go through their portfolios knowing I could only choose one. I tried to be very encouraging in my ‘rejection’ emails, as I decided to collaborate with Haukur Karlsson due to his flexibility.

It was nice to attend the online networking event and speak to the alumni to see where they are today. I definitely followed their social media accounts and I look forward to meeting them in person in the future.

Here are some of the notes and advice:

  • As a freelancer, the work-life balance is on you.
  • Prepare for job seeking now, don’t leave until the last minute. Reaching out to the studios now is OK.
  • Keep track of your process (rendering, drafts, colours).
  • Short courses are good for networking &expanding your knowledge and skills.
  • When writing a cover letter or an email to a studio, talk about what work of theirs you like and why you want to develop with them.
  • To show off your skills as an artist and storyteller there is no need to make a 5-minute film. You’re better off making a short trailer. Or animating the first 30 seconds of it. It will be less daunting and you’ll be more likely to finish a project.
  • In the UK most of the available work is preschool and commercial.
  • When doing prop/BG/character design, look for current design vibes and trends on current shows.
  • Ask your mentor to set you up for an internship.
  • Post your progress (on socials or a blog).
  • Don’t be precious with your work.

Regarding some other questions, I would like to ask:

  • What things do you wish you did more of while you were still at uni?
  • As a freelancer, how do you go about pricing?
  • Where do you go looking for work?
  • Do you follow individual studios?
  • As a freelancer, do you seek out potential clients to send cold emails to or do you hope you’re found by clients through your work?
  • Do you find it difficult to do personal work after you’ve spent a whole day/week/month being creative for work?